Channing Bete filed suit against Dr. Mark Greenberg for trademark infringement, tortious interference with business relations, and violations of non-compete and non-disclosure agreements. Dr. Greenberg jointly developed a curriculum for the social and emotional development of children, known as the “PATHS® Program,” in 1993. This curriculum was exclusively licensed to Channing Bete predecessor Developmental Research Programs, Inc., who registered the PATHS® trademark in 1995. Dr. Greenberg continued to develop the program, resulting in a “PATHS® Preschool/Kindergarten Program,” and jointly registered copyright in these developments. Channing Bete obtained exclusive rights to this program as well, and has since worked with Dr. Greenberg and the other authors to develop additional program-based materials to cover elementary-school children. Channing Bete partnered with a training organization run by Dr. Greenberg, “PATHS® Education Worldwide (PEW), to train purchasers of the PATHS® programs, and licensed PEW certain rights in the programs.
In the summer of 2014, Channing Bete decided to sell its rights in the PATHS® programs. They allege that Dr. Greenberg immediately began to interfere with its efforts to sell. According to the complaint, this interference led to the major large publishers refusing to consider a purchase. Channing Bete subsequently put the program out for bid, requiring non-disclosure agreements from any bidder. PEW placed a bid and executed an NDA, as did Dr. Greenberg personally. Channing Bete subsequently notified Dr. Greenberg that they had selected a different buyer, who would need to coordinate with Dr. Greenberg and the other authors. Dr. Greenberg was reminded of his non-disclosure obligations in this communication. The complaint alleges that Dr. Greenberg threatened to withhold assent to the transfer of the curriculum unless he received concessions for himself and PEW. It further alleges that Dr. Greenberg directly contacted the buyer on multiple occasions, indicating again that he intended to block the sale unless he received concessions and revealing the contents of his communications with Channing Bete, in violation of the NDA he had signed. Channing Bete then received an offer from a different party, seeking to buy the curriculum at the same terms offered by PEW. Channing Bete subsequently received communications from other authors of curriculum materials, each threatening to withhold consent to the sale, that Channing Bete alleges to have been orchestrated by Dr. Greenberg. Finally, Dr. Greenberg has published books laying out “PATHS Plus” that he has marketed as an alternative to the PATHS® program, allegedly in violation of non-compete language contained in his original exclusive license to Channing Bete.
Judge Talwani denied defendant’s motion to join or substitute two alleged real parties in interest. AF Holdings brought the case in 2012, accusing Chowdhury of copyright infringement relating to a pornographic film, but failed to show at a hearing, resulting in dismissal of AF’s claims against Chowhurdy and denial of AF’s motion to dismiss Chowhurdy’s counterclaims. When AF failed to answer Chowhurdy’s counterclaims, the Court entered default judgment against AF, as well as AF aliases/alter egos AF Holdings, Inc., Prenda Law, Inc., John L. Steele, Paul A. Duffy, Paul R. Hansmeier and Mark Lutz. Several of these alter egos appealed, asserting that they were not properly named or served, and the First Circuit vacated default judgment against them, noting that even where an alter ego is alleged to be liable for a judgment, they must be hailed into court. Chowhurdy in response filed the instant motion. Judge Talwani noted, however, that a party can be substituted only where an interest is transferred to the new party during pendency of the lawsuit, which was not alleged here. Noting that the proposed new counterclaim defendants would be stuck with a default against them, rather than a judgment following adjudication on the merits, she refused to substitute them in the instant case. Judge Talwani did note that the claim that the proposed new defendants may well be the real parties in interest and subject to a new claim for relief. Accordingly, she made the denial was without prejudice to defendant seeking leave to file an amended counterclaim adding the new parties.
Judge Gorton denied both parties’ motions to disqualify each other’s expert witnesses in a contentious litigation involving allegations of doctored evidence. LovePop asserts that PaperPop infringed its copyright in several designs of pop-up greeting cards. PaperPop produced documents and photographs that were alleged to show that PaperPop conceived of the designs first, but LovePop purports that PaperPop tampered with the metadata to falsely back-date the documents to the relevant date. LovePop proffered an expert who would testify as to what metadata was, the means for manipulating metadata, and that some of PaperPop’s documents could not have been created on the dates alleged because the software with which they were created had not yet been made available. PaperPop in turn proffered an expert to testify that LovePop’s expert used unvalidated testing to achieve his results and to present the results of his testing that show the tests of LovePop’s expert were unreliable and incorrect. Judge Gorton determined that both parties’ complaints were directed to the credibility of their opponents’ experts, who were otherwise both well-qualified. Accordingly, he denied both motions.
Sonya Larson filed suit against Dawn Dorland Perry, Los Angeles-based Cohen Business Law Group, and attorney Jeffrey A. Cohen, seeking a declaration that a short story published by Larson does not infringe the copyright of a letter posted by Dorland Perry on Facebook. Dorland Perry donated a kidney to an anonymous recipient in 2015, and subsequently wrote a letter to the unknown recipient outlining the reasons for her donation and expressing interest in meeting the recipient. She posted the letter to a private forum on Facebook that included Larson. Larson, who acknowledges having had a nominal social relationship with Dorland Perry in the past, asserts she was included in the forum without her permission or authority and that she had seen Dorland Perry’s letter. Three years later, Dorland Perry registered her copyright in the letter. Larson authored a short story about a working class Chinese-American woman who receives a kidney from a wealthy white woman, with a primary goal of depicting a “person of color resisting a white savior narrative,” in which the recipient receives a letter from the previously-anonymous donor. Larson states that in preparing this portion of her story, she researched and viewed many websites and similar letters from organ donors that were widely available on the internet. After a public reading of a portion of her story was reported to Dorland Perry, Larson alleges that Dorland Perry believed the story to be about her and became very upset. In subsequent edits, Larson made changes to the story to distinguish the fictional letter from Dorland Perry’s actual letter. The story was subsequently published in audio book format and accepted for printed publication, at which point Dorland Perry is alleged to have instituted a smear campaign against Larson and repeatedly accused her of plagiarism to Larson’s employer, members of her writing group, various writing organizations, and the Boston Globe newspaper. Larson was moved to file the action when Attorney Cohen, representing Dorland Perry, sent a demand to her publisher that they case and desist from further printings of the story, and the acceptance for publication was rescinded. Larson’s claims against Cohen and his firm are based in part on their threat of statutory damages and attorney’s fees against her publisher, which Larson asserts Cohen knew or should have known were not legally viable, as registration occurred more than three years after Dorland Perry’s letter was first published. Larson also asserts tortious interference with contractual relationships, defamation, and violation of Ch. 93A.
Richard Liebowitz strikes again, filing three more copyright infringement and DMCA Violation cases in Massachusetts to go along with the seven he filed earlier this month. In these cases, as with the previous set, he alleges that copyrighted photographs were used on the defendants’ websites without license, and that digital watermarks were removed from the photographs. Each of these acts is alleged to be willful and knowing, without any further elaboration, and Liebowitz seeks actual and/or statutory damages and attorney’s fees. The cases are before Judges Boal, Saris, and Stearns.
Notorious New York copyright lawyer Richard Liebowitz filed five different copyright infringement suits in Massachusetts. Liebowitz, is well known for filing hundreds of infringement suits and seeking to extract settlements without consideration of the merits of the lawsuit or the defenses asserted against them – I have personal experience with his tactics, which amounted to filing suit without first seeking to resolve matters and then simply demanding an outrageous dollar amount without explanation or justification, using the threat of the Copyright Act’s statutory damages and attorneys’ fees provisions to drive settlement. Liebowitz had yet to actually get to summary judgment or trial on any of his cases at the time, and indeed had settled virtually all the cases he filed without getting into discovery, and often without the defendant having answered the complaint. Liebowitz has been criticized by courts on several occasions and has been sanctioned for his litigation conduct, with S.D. N.Y. Judge Kaplan identifying one such filing as frivolous, and Judge Cote labelling him a “copyright troll” and imposing monetary sanctions and required Liebowitz take ethics classes. None of this is to say that the defendants did not infringe the copyrights of the plaintiffs – as Liebowitz has noted in his defense, it is very common for people to find photographs on-line and simply cut and paste the photos into their own projects, without license or attribution. The amounts sought by Liebowitz, however, vastly exceed the royalties that the photographers would have obtained, even with attorney’s fees included. The cases are split between Judges Stearns, Kelley, Saylor, Casper, Woodlock, and Young.
ALMO Music, and several other music companies, sued Worcester’s Ralph’s Rock Diner, accusing the venue of allowing the performance of copyrighted, unlicensed works by visiting artists. The plaintiffs, all members of ASCAP, allege that Ralph’s has repeatedly refused ASCAP’s licensing offers, but allowed the performance of several works in early August, 2018 that plaintiffs own copyright in. Somewhat unusually, ASCAP itself is not named as a plaintiff, with the copyright owners going it alone. Plaintiffs seek statutory damages and costs and fees as well as injunctive relief.